Vol. 7 No. 1 (2022): January to July

DOI: https://doi.org/10.52930/mt.v7i1

Published: 2022-12-03

Full Issue

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Editorial

Editorial

Gabriel Navia

i–iii
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Artigos

Music and subjectivation suggestion for a psychoanalytically oriented musical analysis

Victor de Oliveira e Silva Bueno, Antenor Ferreira Correa

1–27
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Lexical Tone and Melody in the Thai Language A Comparative analysis of Melodic-Tonal Transitions in Y-Series Soundtracks

Paulo Meira Lima Mattos, Tatiana Olivieri Catanzaro

28–44
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Short Notes on Strong Beats Case Studies in African and Afro-Diasporic Meter

Lina S. Tabak

45–67
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Entropy, Probabilistic Harmonic Space, and the Harmony of Antonio Carlos Jobim

Carlos de Lemos Almada , Hugo Carvalho

68–111
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Some Formal and Harmonic considerations on the Argentinian Zamba

Alejandro Martínez , Edgardo Rodríguez

112–134
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“Bored with Minimalism” John Adams’s First Attempt at Convoluting Simplicity

Adriana Twitchell

135–146
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Teleology of the Disciplines of Counterpoint and Harmony

Marcio Spartaco Landi

147–183
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Narrativity and Intertextuality in Franz Liszt’s Operatic Paraphrases on Vincenzo Bellini’s Operas

Thiago Plaça Teixeira

184–213
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Research in Collaborative Creative Processes and Compositional Creativity in Brazil Scenario and Challenges

Guilherme Bertissolo, Paulo Pitta, Lisa Mascarenhas, Alex Marques

214–241
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Folklore Stylization Procedures in Suite n° 2 (Nordestina) by César Guerra-Peixe

Ísis Cardoso

242–266
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Review

Review of Joan Grimalt’s Mapping Musical Signification

Cristina González Rojo

267–273
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About the authors

About the authors

Gabriel Navia

274–279
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