Vol. 5 No. 1 (2020): january–july

View Vol. 5 No. 1 (2020): january–july

v. 5. n. 1 (2020): january–july

DOI: https://doi.org/10.52930/mt.v5i1

Published: 2021-04-27

Full Issue

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Editorial

Editor's message

Norton Dudeque

i
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Artigos

Domenico Scarlatti, Escape Artist: Sightings of his “Mixed Style” towards the End of the Eighteenth Century

Janet Schmalfeldt ; Navia

1–52
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Intertextuality and Narrativity in Villa-Lobos’s First Symphony (“The Unforeseen”)

Paulo de Tarso Salles

53–118
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A quantitative study of pitch registers in string quartets opus 17, by Joseph Haydn

Marcos da Silva Sampaio, Vicente Sanches, Matheus Travassos, Carla Castro

119–177
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Contrasting sound environments in the first three Ilhas by Almeida Prado: Ilha dos nove vulcões, Ilha de pedra e Ilha de gelo

Gregório dos Santos Oliveira, Adriana Lopes Moreira

178–195
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Musical intertextuality in Alberto Nepomuceno’s religious music

Thiago Plaça Teixeira

196–241
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Intertextual Relations between Nepomuceno's songs on Parnassian and Symbolist poems and the French Mélodie: Coração triste and Canção da ausência

Eliana Asano Ramos, Maria Yuka de Almeida Prado

242–277
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The Chromatic Transformations System in the Interlude from Artémis, by Alberto Nepomuceno

Rita de Cássia Taddei

278–288
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The poetics of the Lied in the songs in Portuguese by Alberto Nepomuceno: Mater dolorosa, Op. 14, no. 1

Francisco Koetz Wildt

289–320
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O Alberto Nepomuceno’s Wagnerism and its Evolution in the Art Song

João Vicente Vidal

321–349
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Analysis of Villa-Lobos’ Orchestration of Nepomuceno’s Oração ao Diabo

Juliano Lima Lucas, Rodolfo Coelho de Souza

350–372
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About the Authors

Gabriel Navia

373–377
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