Editorial
DOI:
https://doi.org/10.52930/mt.v9i2.324Abstract
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Published
2024-12-29
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Editorial
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Norton Dudeque (nortondudeque@gmail.com) realizou mestrado em Performance musical - University Of Western Ontario (1991), mestrado em Musicologia pela Universidade de São Paulo (1997), doutorado em Música (Ph.D.) - University of Reading (2002). Realizou estágio pós-doutoral no Kings College em Londres (2012). Atualmente é professor associado da Universidade Federal do Paraná e atua no Programa de Pós-Graduação em Música da UFPR. Tem publicado artigos com ênfase em Teoria e análise musical. É autor de Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (Ashgate, 2005) e de Heitor Villa-Lobos’s Bachianas Brasileiras, Intertextuality and Stylization (Routledge, 2022).
Gabriel Navia is Professor of Music Theory and Guitar at the Universidade Federal da Integração Latino-Americana at Foz do Iguaçu (Brazil). He holds a Ph.D. in Music Theory from the University of Arizona and a Master’s in Musical Performance (guitar) from the same university. His research focuses on 19th-century sonata form and a variety of tonal repertoires, ranging from the 18th- and 19th-century European canon to today’s popular music styles. Gabriel Navia has presented papers at national and international conferences, including the EuroMAC 9 (France, 2017), the 17th IASPM Conference (Germany, 2017), and the III TeMA Congress (Rio de Janeiro, 2019). His most recent work has appeared on Musica Theorica (2019; 2020), The Sage International Encyclopedia of Music and Culture (2019),Revista Vórtex (2020) e The Routledge Companion to Music Theory Pedagogy (2020). He is currently chief-editor of Musica Theorica (academic journal of the Brazilian Society for Music Theory and Analysis).